World Cafe with host David Dye serves up an eclectic mix of music from blues, rock, and world, to folk and alternative country, with live performances and interviews with celebrated and emerging artists.
Forro in the Dark gets its name from a style of Brazilian dance music, but it doesn't conform to those limitations, instead drawing on influences from Enrique Iglesias to Beck. Hear an interview with the band, as well as a studio performance showcasing its new songs.
The music of Seu Jorge occupies a singular place in today's Brazil. His songs recall the traditional songwriting of Tom Jobim and Caetano Veloso, but his style, and his background, lead many to call Jorge a hero of life on Rio's streets.
The aggressive Oklahoma-based band straddles the line between pop and punk. Their debut album Can't Get Past The Lips has 10 songs but clocks in at just 20 minutes.
The veteran singer-songwriter sits down with World Cafe's David Dye to perform songs from her latest album, American Kid. Along the way, she also shares stories about her father, whose passing inspired many of the new songs.
The New York City Opera will close its doors this month after 70 years of production. Guest host Celeste Headlee talks to composer Anthony Davis whose work X, The Life and Times of Malcolm X premiered at the opera almost 30 years ago.
The Pacific Northwest grows the majority of the nation's pears, and this year's harvest is predicted to be the third-largest in history. But farmers are facing a shortfall that's been plaguing many agricultural industries: not enough workers to pick the fruit.
Political unrest in Egypt might seem low on the list of concerns for the U.S. government. But one commentator says the situation there needs to be dealt with swiftly. Guest host Celeste Headlee speaks with Shadi Hamid, of the Brookings Doha Center, about the risks of forgetting Egypt.
Millions of U.S. factory jobs have been lost in the past decade. Now, in North Carolina, high school students are being encouraged to think about taking manufacturing jobs. But this isn't the furniture-making or textile labor of generations past — it's a new kind of highly technical work in aviation.